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Practitioners typically present themselves as a positive force against the powers of destruction which threaten the world. There exists no dogmatic moral or ethical code followed universally by Wiccans of all traditions, however a majority follow a code known as the Wiccan Rede, which states an it harm none, do what ye will. This is usually interpreted as a declaration of the freedom to act, along with the necessity of taking responsibility for what follows from ones actions and minimising harm to oneself and others. Another common element of Wiccan morality is the Law of Threefold Return which holds that whatever benevolent or malevolent actions a person performs will return to that person with triple force, or with equal force on each of the three levels of body, mind and spirit, similar to the eastern idea of karma. The Wiccan Rede was most likely introduced into Wicca by Gerald Gardner and formalised publicly by Doreen Valiente, one of his High Priestesses. The Threefold Law was an interpretation of Wiccan ideas and ritual, made by Monique Wilson and further popularised by Raymond Buckland, in his books on Wicca. Many Wiccans also seek to cultivate a set of eight virtues mentioned in Doreen Valientes Charge of the Goddess, these being mirth, reverence, honour, humility, strength, beauty, power, and compassion. In Valientes poem, they are ordered in pairs of complementary opposites, reflecting a dualism that is common throughout Wiccan philosophy. Some lineaged Wiccans also observe a set of Wiccan Laws, commonly called the Craft Laws or Ardanes, 30 of which exist in the Gardnerian tradition and 161 of which are in the Alexandrian tradition. Valiente, one of Gardners original High Priestesses, argued that the first thirty of these rules were most likely invented by Gerald Gardner himself in mock archaic language as the by product of inner conflict within his Bricket Wood coven the others were later additions made by Alex Sanders during the 1960s. In British Traditional Wicca, complementarity is a basic and fundamental working principle, with men and women being seen as a necessary presence to balance each other out.


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Cohorts develop personalities. Havent we all had those groups that pretty much whine about everything, or an uptight bunch that dithers about every detail?Some cohort groups fewer than wed like are great, and are full of students who work hard and collaborate willingly. Cohort groups can present teachers with special challenges. In every course, theres the student group and then theres the teacher, but in cohort groups, the teachers outsider position is accentuated, especially when the group has been together for some time. The cohort has a history, a shared set of experiences, and usually a collection of inside jokes. Add to that the virtual certainty that the group has discussed the teacher of the current course, probably at length. The teacher has a reputation, but so does the cohort. Even though a teacher may aspire to meet the group with an open mind, she has definitely heard things about its members. Teachers and students come to every course with expectations, but they are more fixed when cohorts are involved. It often feels as though teachers have more to prove with these groups. Respect cant be earned one student at a time.



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The theatrical scene in the UK is one of the strongest in the world. Known for pantomimes, West End musicals, independent shows and attracting worldwide stars of the screen, theatre in the UK has never been stronger. As well as old favourites, this year has seen a wave of new and exciting productions flood into the UK, from well known classics reworked to brand new musical extravaganzas. Save on your Edinburgh, Manchester and London hotels so you can splurge on as many shows as possible. Jazz hands at the ready. One of the surprise hits of the year is The Million Dollar Quartet in the heart of London's theatreland at the Noel Coward Theatre.



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